Just as she stopped making choices, she felt she could be in a “bilocation”！ After the 3-year pandemic, her perceptions began to reboot alongside the outside world. Together with her, the camera observes herself with dual and opposing identities. She was torn between the traditional Sea Maiden and a modern museum curator, unsure of which identity she wanted to embrace. Cognition is personal. Drawing from her personal memories, she curated beliefs and worship, scientific truths, and historical wonders to create a space for discourse. As the chaos world occurs, she came to realize that perhaps the museum is closest to ‘experience’, while the fishing village can touch the ‘truth’.